The purpose of this paper is to examine the professional culture of television marketing in the UK, the sector of arts marketing responsible for the vast majority of programme trailers and channel promos seen on British television screens. In research approach, it draws on participant observation at Promax UK, the main trade conference and award ceremony of the television marketing community. Developing John Caldwell’s analysis of the cultural practices of worker groups, it uses Promax as site of study itself, exploring how a key trade gathering forges, legitimates and ritualizes the identity and practice of those involved in television marketing. Its findings show how Promax transmits industrial lore, not only about ‘how to do’ the job of ...
This document is an Accepted Manuscript of the following article: Kim Akass, and Janet McCabe, ‘HBO ...
© The Author(s) 2019. The British Broadcasting Corporation occupies what is often considered to be a...
Television audiences and fans are increasingly enrolled in the co-production of the television exper...
The purpose of this paper is to examine the professional culture of television marketing in the UK, ...
This thesis explores the discourses of success within the Anglophone transatlantic television indust...
The rapid growth of promotional material through the internet, social media, and entertainment cultu...
In the era of TVIII, characterized by deregulation, multimedia conglomeration, expansion and increas...
A key strategy of TV companies in the UK and US since the late 1990s, has been to create distinctive...
This article analyzes the commissioning and production of arts television in the United Kingdom. It ...
Commercially successful programme ideas are often imitated or adapted. Television formats, in partic...
Recent technological and market changes in the television industry appear to have transformed the co...
This short commentary piece arises from completing an Arts and Humanities Research Council (AHRC)–fu...
This article builds on a legal institutionalist approach to assess market-based regulatory change in...
This article analyses the role of intermediaries in the evolution of the UK TV production sector tra...
Commercially successful programme ideas are often imitated or adapted. Television formats, in partic...
This document is an Accepted Manuscript of the following article: Kim Akass, and Janet McCabe, ‘HBO ...
© The Author(s) 2019. The British Broadcasting Corporation occupies what is often considered to be a...
Television audiences and fans are increasingly enrolled in the co-production of the television exper...
The purpose of this paper is to examine the professional culture of television marketing in the UK, ...
This thesis explores the discourses of success within the Anglophone transatlantic television indust...
The rapid growth of promotional material through the internet, social media, and entertainment cultu...
In the era of TVIII, characterized by deregulation, multimedia conglomeration, expansion and increas...
A key strategy of TV companies in the UK and US since the late 1990s, has been to create distinctive...
This article analyzes the commissioning and production of arts television in the United Kingdom. It ...
Commercially successful programme ideas are often imitated or adapted. Television formats, in partic...
Recent technological and market changes in the television industry appear to have transformed the co...
This short commentary piece arises from completing an Arts and Humanities Research Council (AHRC)–fu...
This article builds on a legal institutionalist approach to assess market-based regulatory change in...
This article analyses the role of intermediaries in the evolution of the UK TV production sector tra...
Commercially successful programme ideas are often imitated or adapted. Television formats, in partic...
This document is an Accepted Manuscript of the following article: Kim Akass, and Janet McCabe, ‘HBO ...
© The Author(s) 2019. The British Broadcasting Corporation occupies what is often considered to be a...
Television audiences and fans are increasingly enrolled in the co-production of the television exper...